Skip to Content
Claire Forste
Portfolio
Pattern Design
Narrative Illustration
Shop
Contact
0
0
Claire Forste
Portfolio
Pattern Design
Narrative Illustration
Shop
Contact
0
0
Folder: Portfolio
Back
Pattern Design
Narrative Illustration
Shop
Contact
Sufficient_Unto_the_Day_Website_Format.jpg
Shop Sufficient Unto the Day

Sufficient Unto the Day

$785.00

20 x 16” oil painting on wood panel with imitation gold leaf

My faith in and understanding of institutions (both political and religious) is evolving. Living through a pandemic made me consider what is unchanging, reliable, and sustaining in my life. I often "toil and spin," unlike the lilies that Christ describes in Matthew 6:25-34. I've learned that Christ's love is constant and reliable when everything else around me comes crashing down— an image Laurel Thatcher Ulrich utilizes in her essay, "Lusterware." Ulrich's essay draws from Emily Dickinson's poem on lusterware, a material that was a poor man's substitute for silver and which breaks easily. Dickinson describes mistaking lusterware for silver and placing it on her shelf with her other silver, only to have it fall and smash on the "bottom of [her] mind." I have similarly placed value in ideals and beliefs that are not lasting or substantive. In contrast to the smashed lusterware, the lilies will continue to grow. Thus, the lilies in my piece are God's enduring love and the fragments of lusterware are my discarded beliefs. The circles placed over the piece symbolize the eternal nature of both God's relationship with His children, as well as my need to learn and relearn this lesson. The title comes from the last verse in Matthew 6, which teaches me that my human efforts are enough for God.

Add To Cart

Sufficient Unto the Day

$785.00

20 x 16” oil painting on wood panel with imitation gold leaf

My faith in and understanding of institutions (both political and religious) is evolving. Living through a pandemic made me consider what is unchanging, reliable, and sustaining in my life. I often "toil and spin," unlike the lilies that Christ describes in Matthew 6:25-34. I've learned that Christ's love is constant and reliable when everything else around me comes crashing down— an image Laurel Thatcher Ulrich utilizes in her essay, "Lusterware." Ulrich's essay draws from Emily Dickinson's poem on lusterware, a material that was a poor man's substitute for silver and which breaks easily. Dickinson describes mistaking lusterware for silver and placing it on her shelf with her other silver, only to have it fall and smash on the "bottom of [her] mind." I have similarly placed value in ideals and beliefs that are not lasting or substantive. In contrast to the smashed lusterware, the lilies will continue to grow. Thus, the lilies in my piece are God's enduring love and the fragments of lusterware are my discarded beliefs. The circles placed over the piece symbolize the eternal nature of both God's relationship with His children, as well as my need to learn and relearn this lesson. The title comes from the last verse in Matthew 6, which teaches me that my human efforts are enough for God.

Add To Cart

You Might Also Like

Hamlet.jpg
Hamlet
$1,250.00
Swimming_Koifish_Socialworker_Primarycolors_Portrait.jpg
Swimming Against the Current
$325.00
Count_Basie.jpg
Count Basie
$110.00
Dorothy Dandridge.jpg
Dorothy Dandridge
$110.00
King Lear.jpg
King Lear
$1,250.00

Made with Squarespace